'a small and quiet light'

Prior to the opening of this play at the Chichester Festival Theatre in August I had the honour of being invited to deliver a talk about Noor Inayat Khan to the cast of this play.

Noor, one of the ill-fated SOE (Special Operations Executive) agents sent into France never to return, has remained a controversial figure due to the concerns expressed at the time as to her suitability for this dangerous work. Her intentions were noble however and she showed great courage in her determination to engage in the fight to defeat the Nazis. For this she paid a terrible price, subjected to appalling brutality and cruelty in the months leading to her eventual execution at Dachau. 

It is my view that Noor Inayat Khan should be remembered for what she achieved during her four months in Paris as the only remaining radio operator and one of very few remaining SOE agents in Paris.  This is the stance and the tone of my talk on her, a view clearly embraced by the cast of 'A small and quiet light.'

Before meeting the cast I was allowed to read the script. Stephanie Street had clearly done her homework and had delivered a very accurate and sensitive portrayal of Noor’s character bringing to life her foibles and her weaknesses as much as her dignity and inner strength. I was pleased and relieved. This was no Hollywood makeover where historical facts would be distorted to fit what might be deemed a better story. Noor’s story needs no embellishment, which Ms. Street had clearly appreciated.

Arriving at their rehearsal room in London I was very impressed with the research already undertaken and the evidence on sugar paper posted on the walls of their discussions around her story. I had been in touch with the actress due to play Noor, Priyanga Burford, who intended to visit Paris to walk in Noor’s footsteps. Such dedication to the most accurate capture of her character was also impressive.

I then saw the play twice. Once with fellow SOE historians and museum colleagues, then again when I was invited to the Press Night. I found it very moving as did everyone I have spoken to since who has seen it. We were all grateful in particular for the way the ending was handled. Cleverly, sensitively and above all, honestly done.

I did all I could to help promote this production. I ensured my SOE circle all knew about it and I gave a talk relating Noor’s story at the museum, on various dates. I was delighted to do this because of the respect with which this play was written, produced, directed (Elin Schofield did an excellent job) and performed.

Following its success at the Festival Theatre ending 12th September, it moved to the Orange Tree Theatre in Richmond, Surrey, from 21st Sept to 24th October. For anyone unable to get to either theatre, it will be available for streaming from 27th Oct to 30th Oct. Details from the Orange Tree Theatre’s website. A copy of the script is available from Amazon or can be purchased when attending the play.